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China: Through the Looking Glass
Costume Institute China Exhibition Details Shared in Beijing
The Costume Institute’s spring 2015 exhibition, China: Through the Looking Glass, will be on view at The Metropolitan Museum of Art from May 7 through August 16, 2015 (preceded on May 4 by The Costume Institute Benefit). Presented in the Museum’s Chinese Galleries and Anna Wintour Costume Center, the exhibition will explore how China has fueled the fashionable imagination for centuries, resulting in highly creative distortions of cultural realities and mythologies. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion will be juxtaposed with Chinese costumes, paintings, porcelains, and other art, as well as films, to reveal enchanting reflections of Chinese imagery.

The exhibition is made possible by Yahoo.

Additional support is provided by Condé Nast and several generous Chinese donors.

“I am excited about this partnership between these two forward ­thinking departments which will undoubtedly reveal provocative new insights into the West’s fascination with China,” said Thomas P. Campbell, Director and CEO of the Met. “The artistic direction of acclaimed filmmaker Wong Kar Wai will take visitors on a cinematic journey through our galleries, where high fashion will be shown alongside masterworks of Chinese art.”

In celebration of the exhibition opening, the Museum's Costume Institute Benefit will take place on Monday, May 4, 2015. Silas Chou will serve as Honorary Chair. The evening’s co­chairs will be Jennifer Lawrence, Gong Li, Marissa Mayer, Wendi Murdoch, and Anna Wintour. This event is The Costume Institute’s main source of annual funding for exhibitions, publications, acquisitions, and capital improvements.

“From the earliest period of European contact with China in the 16th century, the West has been enchanted with enigmatic objects and imagery from the East, providing inspiration for fashion designers from Paul Poiret to Yves Saint Laurent, whose fashions are infused at every turn with romance, nostalgia, and make­believe,” said Andrew Bolton, Curator in The Costume Institute. “Through the looking glass of fashion, designers conjoin disparate stylistic references into a fantastic pastiche of Chinese aesthetic and cultural traditions.”

Exhibition Overview
This is The Costume Institute’s first collaboration with another curatorial department since AngloMania: Tradition and Transgression in British Fashion in 2006, a partnership with the Department of European Sculpture and Decorative Arts. China: Through the Looking Glass will feature more than 130 examples of haute couture and avant­garde ready­to­wear alongside masterpieces of Chinese art. Filmic representations of China will be incorporated throughout to reveal how our visions of China are shaped by narratives that draw upon popular culture, and to recognize the importance of cinema as a medium through which we understand the richness of Chinese history.

The Anna Wintour Costume Center’s Lizzie and Jonathan Tisch Gallery will present a series of “mirrored reflections” through time and space, focusing on Imperial China; the Republic of China, especially Shanghai in the 1920s, 1930s and 1940s; and the People’s Republic of China. These reflections, as well as others in the exhibition, will be illustrated with scenes from films by such groundbreaking Chinese directors as Zhang Yimou, Chen Kaige, Ang Lee, and Wong Kar Wai. Distinct vignettes will be devoted to “women of style,” including Oei Huilan (the former Madame Wellington Koo), Soong May­Ling (Madame Chiang Kai­shek), and Empress Dowager Cixi.

Directly above the Anna Wintour Costume Center, the Chinese Galleries on the second floor will showcase fashion from the 1700s to the present, juxtaposed with decorative arts from Imperial China, including jade, lacquer, cloisonné, and blue­and­white porcelain, mostly drawn from the Met’s collection. The Astor Court will feature a thematic vignette dedicated to Chinese opera, focusing on the celebrated performer Mei Lanfang, who inspired John Galliano’s spring 2003 Christian Dior Haute Couture Collection, ensembles from which will be showcased alongside Mr. Mei’s original opera costumes.

Designers in the exhibition will include Cristobal Balenciaga, Bulgari, Sarah Burton for Alexander McQueen, Callot Soeurs, Cartier, Roberto Cavalli, Coco Chanel, Christian Dior, Tom Ford for Yves Saint Laurent, John Galliano for Christian Dior, Jean Paul Gaultier, Valentino Garavani, Maria Grazia Chiuri and Pierpaolo Picciolo for Valentino, Craig Green, Guo Pei, Marc Jacobs for Louis Vuitton, Charles James, Mary Katrantzou, Karl Lagerfeld for Chanel, Jeanne Lanvin, Ralph Lauren, Judith Leiber, Christian Louboutin, Ma Ke, Mainbocher, Martin Margiela, Alexander McQueen, Alexander McQueen for Givenchy, Edward Molyneux, Kate and Laura Mulleavy, Dries van Noten, Jean Patou, Paul Poiret, Yves Saint Laurent, Paul Smith, Vivienne Tam, Isabel Toledo, Giambattista Valli, Vivienne Westwood, Jason Wu, and Laurence Xu.


http://f.chtah.com/s/40/2093826308/compiledimageREV2.jpg
 

Image caption: Evening dress, Roberto Cavalli (Italian, born 1940), fall/winter 2005–6
Courtesy of The Metropolitan Museum of Art, Photography © Platon

Categoria: #Luxo | Visualizações: 372 | Adicionado por : netoangel | Tags: 2015 exhibition, Spring, luxo, China: Through the Looking Glass, The Costume Institute, Bulgari, The Metropolitan Museum of Art, Cristobal Balenciaga | Ranking: 0.0/0
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