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Chinese Realities in Documentary Visions
| 12/04/13, 00:37 | |
Amid China’s epochal transformations over the last two decades, new
documentary aesthetics emerged, as the overwhelming cultural and
societal challenges caused by China’s transition to a free-market
economy compelled professional and amateur filmmakers alike to capture
new realities on screen. Working largely outside the state media
apparatus, pioneer filmmakers like Wu Wenguang, Zhang Yuan, and Duan
Jinchuan provided bracing alternative visions of both society and
filmmaking, with an ethos based on direct observation of reality and
uncensored personal expression. This series aims to reflect the evolution of documentary practice in
China over the past 25 years, revealing the growth and ever-increasing
influence of nonfiction film and media. The selections, encompassing a
wide expanse of Chinese film and media, including state-approved
productions, underground amateur videos, and Web-based Conceptual art,
provide a vivid look into a society in perpetual transformation. Some
screenings will be presented by the filmmakers and scholars.
by The Museum of Modern Art | |
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